Poetry sale: Two poems in Chantarelle’s Notebook

My poems ‘Ninety-Eight’ and ‘City of Stones’ will be appearing in Issue #33 of Chantarelle’s Notebook – yay!

‘Ninety-Eight’ is a companion piece of sorts to ‘Microhistory’. It’s about family history too, specifically my late grandfather (on my dad’s side).

‘City of Stones’ is one of several poems inspired by my walks in my local graveyard (which also happens to be one of Helsinki’s most historically notable graveyards). I’m more hippy than gothy, but nonetheless I find graveyards to be intriguing and inspiring places. I love wandering around looking at the oldest gravestones, struck by the personal histories still shining through in names, dates and epitaphs.

Poetry publication: Two poems in Snakeskin

Two of my poems are now online in the December issue of Snakeskin:

‘Microhistory’ and ‘Rain-washed’.

Both of these were written last summer. ‘Rain-washed’ happened after a glorious thunderstorm. I always have to rush out to get drenched at least once a summer – there’s something wonderful about getting completely wet when the air is warm, and it doesn’t happen in Finland all that often.

I’m particularly pleased that ‘Microhistory’ has found an online home. I wrote it in August after a family gathering in Southern Ostrobothnia, where my dad’s side comes from. My grandpa would have been 100 years old this year, so we celebrated his birthday with reminiscences, laughter and excellent food. All of it got me thinking about family and my place in it, and ‘Microhistory’ was one of the results (another poem came out of that celebration, and I’m hoping to find a home for it as well).

Sunday recs: Poetry for a frosty evening

I’m drinking rooibos tea, all cosied up in a self-knitted shawl and wrist warmers. Mmm, knitted things.

I discovered some poem links I’ve been meaning to share for ages, so here’s a few brilliant poems to brighten your Sunday evening:

Foam, Braided with Teeth by Michele Bannister over at Stone Telling. I love Bannister’s poems and recognise a certain kinship in the way we use language – her Anglo-Saxonesque hyphenated compound words ring very familiar to me. I love this poem. Read aloud, it sings.

The next poems are apparently all from Strange Horizons. Not too surprising, I suppose, since it’s one of the magazines I read most regularly. (I have so much catching up to do with all the gorgeous zines, though!)

Three Visions Seen from Upside-Down by Alexandra Seidel. This is a strange one, but a good kind of strange. Like a lot of Seidel’s poetry, it has a creepy fairy tale vibe: awesome.

the houses of girl-ghosts by Cassandra de Alba. So gorgeous – what a word-painting!

The Loss” by Mari Ness. Short, piercing, beautiful: wing-loss and longing.

Nanowrimo: Failure

What a discouraging title!

But it’s true.

I set out with the goal of starting the second draft of Dim Vanities. Then, as November started shitting on me, I thought I’d at least get the 33 chapters read through and commented on.

Well. That totally didn’t happen. I’ll admit it: there were more days in November when I didn’t work on DV than when I actually went through any chapters.

I have read through and commented on chapters 1-14. Not even halfway through.

I stopped visiting the Nanowrimo site because I got sad that I wasn’t working on a new novel and getting words done. (Let’s face it, “word count: 0” just looks bad.) But on the other hand, I was profoundly glad that I’d decided not to do Nano properly. Because hey, if I couldn’t even get my novel read through and preliminary comments written, I was definitely not in the right place to write 50,000 words.

Sure, if I’d just pushed myself, I could have done more. But this time, I had a more stressful November than ever before. I’ve slept too little, worked too much, cried too much, worried about the future too much. So I think it’s good that I didn’t push myself with writing. There’s a time and place for prioritising writing, and this time it wasn’t November. (I did get a few poems written, though, but that’s different.) If I’d pushed myself, I might have collapsed. And quite frankly, there’s no time for a collapse before my Christmas holiday.

Sometimes you just can’t get stuff done. This is a very difficult thing for me to admit, because my perfectionist tendencies still often equate “didn’t get stuff done” with “bad person”, even though I’ve been trying to work through this and eradicate such thoughts.

Lesson learned? It’s possible for me to fail and yet not be devastated by it. Next year, perhaps, I can do Nanowrimo “properly” again and start afresh, not weighed down by the expectations of five years’ winning in a row.

I will continue editing DV: slowly, with other projects in between. I’m feeling insecure about this novel, too, so I think I need to be careful with it. At some point I might need to smash the whole thing and rewrite it entirely, but I’m not ready for that yet. So, for now, I’ll just keep plodding on.

Poetry sale: Wild Violet Magazine

I’m happy to announce that my poem ‘Helsinki Love Song’ has been accepted for publication in Wild Violet. I’ll post a link when the poem is published!

It was great to get some good poetry news, because I’ve been bogged down with work and an insidious stress that chooses, at inopportune moments, to make everything feel overwhelming. In other words, haven’t really had the mental energy for writing – although I did write a couple of new poems on Saturday.

But my editing work with Dim Vanities has progressed very little: thus the total lack of Nanowrimo posts. I feel bad about that, but I’m trying to put things into perspective. If you try to do five billion things at once and most of them just have to be done, the things that don’t have an immediate deadline will inevitably get put on hold.

Sunday recs: Romance, domesticity and demons

Long time no recs! So, here’s some stories I’ve read in the past few months but have not recced.

(On the Nanowrimo front, there is not much to report. I’ve been too lazy and tired to work on my novel edits, I’ll admit – but today I managed to get a bit done. Will try to pick up pace again.)

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The Bride in Furs, by Layla Lawlor, is from the issue of Plunge Magazine that also featured my poem ‘The Understanding’. This story is lovely, a refreshing fairytale-esque romantic fantasy.

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My next two recs are both stories by Rose Lemberg (both published in Strange Horizons, incidentally).

Teffeu is just wonderful. This is an awesome reminder of what diverse things speculative fiction can be. Teffeu is bibliophilic, lushly descriptive, quiet and introspective. Beautifully written: Rose Lemberg knows how to use her words.

Kifli is rooted in the everyday, with a touch of Jewish mythology and overseas longing. I love stories that feature food as an important element, too, even though they usually make me hungry.

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Stories that feature food made me remember a wonderful book I read this summer: Jo Walton’s Lifelode. I had to time my reading with my mealtimes because there was so much delicious food in that book. What a delightful book otherwise too! It’s been called “domestic fantasy” and I want more of that stuff, yes please. To my great delight, Lifelode also features unconventional relationship structures and conceptions of love. I wish more speculative fiction would ponder such things and not just default to Western society’s predominant models.

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To finish off, here’s another wonderfully inventive story: Brimstone and Marmalade by Aaron Corwin, from Tor.com. The main character Mathilde receives a demon for her birthday – and yes, this is a normal occurrence. Loved the subtly wonky world here, and the demon was just adorable (“NUM. NUM. NUM.” Read the story and comprehend the adorableness!).

Nanowrimo: This feels different

It’s really weird not to be writing a feverish 50K this November. But I still think it’s a good decision to forgo a new zero draft this year – there’s so much work to do with Dim Vanities. Also, I’ve had a bit of a cold and am insanely tired, so yeah. Being merciful to myself and setting lower goals is a good thing. From previous years, I know I can do Nanowrimo ‘properly’ even when stressed out; so I don’t have anything to prove to myself in that sense.

So, what have I been doing, then? Well, during the weekend I worked on my story goals, organised my notes, and made a couple of spreadsheets to track my editing progress and my chapter outlines. I also started out simply going through the first draft, making comments and highlighting terrible words/sentences. I’ve done 8 chapters out of 31. The going is slow – editing is way slower than actual writing. But I’m trudging along, at least, despite my lingering cold and aching neck.

I’ve read a lot of advice on how to edit a novel, but I think it’s one of those things you learn best by just doing it. I have no idea if Dim Vanities will ever be good enough to even consider sending out somewhere, but in the meantime, this is an excellent exercise. I’m experimenting, finding out techniques that work for me.

Who knows, this might even become a coherent, not-totally-plot-holey novel when I’m done.

Interfictions #2 is out! Including my most personal piece so far…

This wasn’t intended to be a two-post day, but I just checked the Interfictions webpage and noticed that Issue #2 is up!

Thus, I am extremely proud and happy to say that you can now read my piece ‘Orthography: A Personal History’ here.

You can also listen to me read it – God, it was terrifying to do a reading of this poem, but I managed it, and hopefully did not entirely mangle the piece.

Why was it terrifying? Well, even submitting the whole piece in the first place was terrifying. As I mentioned in this post, it’s the most personal piece I’ve submitted and had accepted so far. To have it online now is both exhilarating and nerve-wracking.

What the hell, I’ll just quote myself:

‘Orthography: A Personal History’ is a mixture of things. It consists of poetic prose and verse “lectures”. It deals with palaeography, orthography, multilingualism, language history, and (surprise!) my personal history.

It’s the most personal piece I’ve submitted so far, delving into my childhood history through writing and my relationship with my two languages, Finnish and English. Fictionalised, of course, but still: me, my deepest self. It’s scary and exhilarating to think that other people will read such a thing.

The fictional cover is so much thinner in this piece than in most of my others. Did I mention this is terrifying? But that’s part of what writing is about: having the guts to put your soul out there for others to see.

So, dear readers. Go forth and read a piece of my soul.

(And read the rest of the issue too! It looks amazing. I am in love with this magazine.)

Nanowrimo: Preparing for the editing process

Firstly, let’s reveal the working title of the novel I’ll be editing this Nanowrimo: Dim Vanities. The name is from Edgar Allan Poe’s poem ‘Tamerlane’:

Dim, vanities of dreams by night —
And dimmer nothings which were real —
(Shadows — and a more shadowy light!)

Dim Vanities is the name I randomly came up with while Nano-prepping in 2008, and it’s stuck. The title will most probably change eventually once I think of a better one. Yes, there are shadows in my novel, but it’s still not the most relevant or awesome title.

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Anyway! Back to business (i.e. more babbling)!

The stats:
DIM VANITIES
word count: ~134,000
chapters: 31

Yesterday I read a 15-page chapter-by-chapter synopsis of Dim Vanities that I’d written last year when I was editing the messy zero draft into a somewhat coherent first draft. The plot still needs some tightening to make it more coherent – there’s some weird magicky stuff that I worry is too vague. Will have to work on that. But mostly, the synopsis seemed decent. I tinkered a lot with the plot last year, so I hope there won’t be a need for too many major changes now.

I’ll really have to work on making the characters alive and their relationships believable, though.

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I’ve been preparing for this editing process by reading a lot of posts on editing, and doing a lot of thinking with regard to what my strategy will be.

I just read this entertaining post on editing a novel by Chuck Wendig. Some sound advice there! Such as:

Writing is editing. Editing is writing.

Writing is rewriting. And rewriting. And rewriting.

So damn true. Good thing I actually like editing… Although I have to say that tackling a whole novel is overwhelming. But hey, this is how we learn: by digging into it and getting shit done.

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Lastly: good luck to everyone doing Nanowrimo the traditional 50K way! *waves pom-poms*

Nanowrimo: The Rebellion

So, it’s nearing the end of October, and we all know what that means: Nanowrimo is right around the corner!

This will be my sixth year of doing Nano – even though this year, I’m not going to do it the traditional way. But November would feel empty without a big writing project! Thus, I’ve figured out a way to do a Nano-ish thing in November despite my stupidly busy schedules.

My Nanowrimo history
So, I’ve done Nanowrimo every November since 2008. I loved it from the start – as I’ve mentioned before on this blog, Nano totally revolutionalised the way I write. I used to be a bit of an edit-as-you-go writer, but Nano 2008 taught me that the way I write best is if I just pound out a shitty zero draft first, and save the editing for later.

Little did I know that I’d still be editing that 2008 novel now in 2013…

This is what I’ve done each Nano (so far, I’ve succeeded at the 50K challenge every year):
2008: Urban fantasy inspired by Beauty and the Beast.
2009: Steampunk-meets-Ancient-Rome fantasy about trains and a woman finding herself.
2010: Urban fantasy set in Helsinki – written in Finnish! I wanted to prove to myself that I can do 50,000 words in a month even in Finnish, a language that relies on suffixes and complex conjugation rather than handy short words like prepositions. It was tough to meet the word count, but I did it.
2011: Continuation of 2008 Nano – all-new text, plot continued from 2008 because I really didn’t get very far plot-wise in 2008 despite having 50K words.
2012: Started out as a fantasy travel story starring a woman from a secondary-world religious community going out to find her true path; I ended up abandoning this story halfway through because it was too difficult emotionally, and made up the rest of the 50K with a lighter-hearted novella about a fiddler and a giant-killer’s daughter.

Why am I rebelling?
NOTE: If you’ve never done Nanowrimo before, I absolutely recommend doing it the way it’s meant to be done – plan beforehand if you like, but don’t start writing till Nov 1st. It’s so much fun to get excited for your story, and then start writing in a frenzy!

Strictly speaking, I was a Nano rebel already in 2011, because I was continuing a previously started story. But that didn’t truly feel like rebellion, because all the scenes I was writing were new, and I did the full 50K words.

But now I’m going the actual rebellion route. Reasons: the aforementioned busyness. I’m all too good at trying to do too much stuff at once (I haven’t fallen over in exhaustion yet…!), so this year, with all my duties and planning the future etc., I don’t think I have the energy to plan and write a whole new 50K-long story.

However: what I do want is to get a proper second draft out of my 2008/2011 Nano novel. I blogged about rewriting this novel last year in August-October, when I was unemployed. That was great – I managed to get a messy zero draft into a readable first draft.

Now, my challenge will be to start off a second draft of this thing. I’m using the impetus and excitement of Nanowrimo as leverage to make myself start editing. I like the group support of Nanowrimo, and I need to have a creative project in November! So, editing it is.

My plan
This is pretty much me thinking out loud, but here are some things I’d like to get into shape during November (we’ll see how it goes):

  • Plot – I want to iron out any inconsistencies and make sure the whole thing makes sense
  • Characterisation – do my characters behave consistently? Do I have enough character development?
  • Narration – are my two narrators distinctive enough?
  • Scenes – do the individual scenes work? Are they dynamic enough? Where to add a scene, where to cut or combine?
  • Language – does the prose flow well? Does the dialogue sound natural?

I’ve never got this far in the novel-revising process before, so this is scary and exciting. I expect I’ll post more Nanowrimo-related stuff as November approaches and during the month itself, so keep an eye out for my ramblings.