Sunday recs: Four poems

Poems!

I’ve been writing a poem a day for the past week, so today’s recs are poetry too.

Tintagel, by Beth Langford (in Goblin Fruit). The language and imagery in this poem are just gorgeous!

Tesseract: A Parent’s Guide to Time Travel, by Kimberly Gladman (in Wild Violet). A lovely homage to Madeleine L’Engle’s A Wrinkle in Time.

Hands, by David Filer (also in Wild Violet). I have a thing for hands, and this poem captures part of why.

Finally, Asphalt Story #84 by my talented friend Kat Soini (in The Missing Slate). A raw, beautiful poem on the business of love.

Sunday recs: Speculative prose and two issues’-worth of poetry

I was thinking of posting a rant about how difficult writing fiction in Finnish is for me (I was attempting such a thing last night), but I think I’ll go for Sunday recs instead. How my bilingualism comes across in my writing is a topic I want to write a more thoughtful post on.

So, on to other people’s writing:

Prose

Two stories I’ve recently read and enjoyed:

In the Greenwood by Mari Ness at Tor.com. I’ve always liked Robin Hood stories, and this was a nice take on the tale. When a tale is well-known, you can write around its edges. That often makes for intriguing stuff. (Also, the illustration is gorgeous!)

What Is Expected of a Wedding Host by Ken Liu at Daily Science Fiction. I love pieces that play with the forms a story can take – this list of instructions for a person accepting an alien parasite is a great example. Also, it’s quite funny too. Always appreciated. 🙂

Poetry

As for poetry – I’m going to rec two whole issues, because there was just too much intriguing stuff in them and they work so well as a whole.

February’s Snakeskin was a special issue featuring poetry comics – here. I was going to submit some stuff to it last autumn, but in the end I felt too busy and stressed out to work on anything “new” in terms of form. Sad. Anyway, poetry comics are a form I’m interested in, and it was great to see a whole collection of them in Snakeskin. It’s inspired me to do some of my own and not stress about it so much. The art doesn’t have to be perfect. It should be fun as well. Perhaps poetry comics could be a way of keeping up my old art hobby! (It’s mostly fallen by the wayside due to all the million other things I do.)

Stone Telling’s 10th issue, Body, is all-round amazing. I love the depth of thought that has gone into selecting the poems for this issue. They tie together so well. Read the whole issue! Some poems that especially hit me were The Honey Times by Cathy Bryant
and Trance for Insomniacs by J.C. Runolfson. C.S.E. Cooney’s And I’ll Dance With You Yet, My Darling is a great final poem for the issue.

Sunday recs: Two SF stories

I’ve been reading some pretty awesome SF stories lately. Here are two favourites from Strange Horizons:

The Serial Killer’s Astronaut Daughter by Damien Angelica Walters. This near-future (I assume!) story set in a space station orbiting Earth treads the borderline of speculative and mainstream pretty neatly. Also, Aliens references FTW. 🙂

The Long Road to the Deep North by Lavie Tidhar. Simply put: this story blew me away with its awesomeness. It has poems in a linguistically viable asteroid pidgin! I love it when people deal with language in stories (and I often do so myself – can’t help it, I did linguistics at uni and language has always been deeply fascinating to me). The atmosphere is lush, full of the kind of science-fictional future details that I love: strange quirky things that build the story-world into such a delightful creature that I wish there was more of it. And yet this is a brilliant story exactly the way it is. I almost cried at the end because of the sheer beauty of words and images. Please read this. It’s an unconventional story in some ways, but so gorgeous.

Sunday recs: Kate Elliott and Ursula Le Guin

To my intense delight, Kate Elliott posted a Valentine’s Day gift for her readers on her blog on Friday: a coda to her wonderful Spiritwalker trilogy (Cold Magic, Cold Fire, Cold Steel). Since it’s a coda, this novelette obviously contains massive spoilers. So, it will only make sense if you’ve read the trilogy. (If you haven’t, why, go and get yourself those books! I’ve plugged them here before, but really, I haven’t had such a squee reaction to a series in ages, and they totally deserve all the love they can get.) Anyway, the novelette was lovely, it resolved some things I’d really wanted to know about. And I do love getting more glimpses of the world Elliott’s created even though the trilogy has ended. 🙂

And for all of you who have not read the Spiritwalker trilogy, go and read Ursula K. Le Guin’s piece Elementals over at Lightspeed Magazine. This is a wonderful secret history type piece – it’s not really a story, in the traditional sense, but it’s wonderful. It made me think about what a glorious, secret planet we live on despite the mundanity of daily life.

I’m high on writing and folk music and dance tonight, so just these two recs for now. I think it’s time for me to go and find something to eat, and then perhaps write some more.

‘Helsinki Love Song’ online in Wild Violet

My poem ‘Helsinki Love Song’ is one of the featured works in Wild Violet’s Valentine’s Day week series.

‘Helsinki Love Song’

I don’t like Valentine’s Day much due to the focus on a very restricted type of love – Finland is better in that respect, because here it’s known as ystävänpäivä, ‘Friend Day’, and is marketed with less of an emphasis on the heteronormative syrupy give-her-roses type romance. Much more inclusive of all kinds of love. 🙂

‘Helsinki Love Song’ is described by the Wild Violet folks as “celebrat[ing] the emotion produced by a place”. Accurate. This city has its ups and downs, but I love it. At the moment I wrote the poem (in August 2012) I was feeling a particularly delirious love for Helsinki and the weird, wonderful things that can take place here.

Have a good Friend Day, and I hope you enjoy the poem! I love the picture chosen to go with it, too – very evocative of the late-summer beauty that inspired the poem.

Poetry publication: Two poems in Chantarelle’s Notebook

Issue #33 of Chantarelle’s Notebook is now up! It’s full of good stuff (I especially liked the poems by Azar Blanca and Mark Mitchell). The issue includes two of my poems, ‘Ninety-Eight’ and ‘City of Stones’.

I wrote a little bit about the two poems in this post where I announced the publication. I’m especially happy that ‘Ninety-Eight’ is out now: my late granpa (on my dad’s side; pappa, we called him) meant a lot to me, and I feel I’ve managed to catch some essence of him in my words.

Writing for small children

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I had my first experience in writing a story for a small child this January. A dear friend’s child had his third birthday, and I decided to make him a picture book as a present, as evidenced by the pic on the left.

Little did I know what I was in for!

I mean, I hadn’t imagined that writing for children would be easy. Far from it. But I hadn’t really needed to think about it before. I’ve always wanted to write children’s stuff too, but more in a writing exercise sense than out of a want to become profiled as a children’s writer or anything. I think most of the stories I want to tell will be for a more grown-up audience (although of course, no need to exclude kids from the audience as such – when I was small, I read a lot of stuff that was “too difficult” and so on).

Anyway, I had the idea in mind for quite a while. Since the kid currently adores dinosaurs and spaceships, I thought I’d write a story that gave him both. Because why not? However, as always, the idea was the easy bit. It took me ages to actually get writing, because I was so unsure of how to write for a 3-year-old.

When I finally got to it, I was surprised at how easily it came out. I’d thought out a simple enough story, with repetition and a happy ending. It was difficult to keep my language simple enough, though. Here are some things I had to pay extra attention to:

  • I had to keep on substituting easier words for the ones that first came to mind.
  • My sentences tend to be on the longer side more often than not. So, I had to snip quite a few clauses into separate sentences.
  • Repetition is okay! At least I hope so, since I did quite a bit of it. A very different style from my usual – I try not to repeat constructions or the same word a lot, but in a story for someone who’s still in the early stages of language use, repetition might be helpful.

The hardest part was that although I’ve read picture books to this kid and seen what he’s got in his library, I wasn’t really sure of what level of difficulty a 3-year-old is on. Oh well, if it’s too difficult, he’ll grow into it, at least! Saffy Catches a Ride is basically about a little Stegosaurus (the eponymous Saffy) who gets lost and asks some other dinosaurs for help. None of them know where her parents are, but then she meets a Martian and is taken home in a spaceship. Fairly simple, as I said. 🙂

The total word count was around 600, which ended up being 13 pages of pictures + text in the final product.

In the end the writing was far from the most time-consuming part of the book. When I’d written the text into the little pages I’d cut out, I realised with horror that I don’t actually know how to draw dinosaurs. Or spaceships.

Oops. I mean, I used to draw a lot, so it’s not like I’m terrible at art as such. However, I usually draw people, so dinosaurs and space tech was a bit of a challenge. I spent ages making simplified designs that wouldn’t be too hard to replicate for 13 pages; then pencilled the pictures in, inked them, and coloured them in with coloured pencils (keep it simple – watercolour would’ve been great, but nope, didn’t want to risk ruining the whole thing with an accidental splash).

All in all, it was about an hour of work on the text vs. five or so hours on the pictures and putting the book together. It was a fun art project despite my initial frustration!

And the expression on the kid’s face when I gave him his present and told him it involves dinosaurs and spaceships – that gleeful grin and excited cheek-clutching was the best payment this auntie could ask for!

Sunday recs: My favourites from Interfictions #2

So, there was a lot of awesome stuff in Issue #2 of Interfictions (my Orthography: A Personal History is in some great company!). Here are three pieces that especially struck me:

My Language, My Voice by Alexandra Seidel really resonates with me. Lovely so have such a bilingual exploration in Interfictions. My own piece had snippets of the sort, but Seidel approaches it from a different viewpoint. A familiar one. OK, so in creative writing I am mostly rather monolingually English, but when it comes to everyday being, it’s two languages in tandem all the time. (I should do a post on bilingualism at some point, actually.)

Peel by Maria Romasco-Moore is a great example of what you can do with poetry comics. It’s a form I’d love to explore properly at some point.

The Mechanism of Moving Forward by Nikki Alfar is historical fiction that feels like speculative fiction. Beautifully written, this story felt like perfectly brewed sencha drunk from a blue-patterned cup.

My writing in 2013 – and my hopes for 2014

In a moment I’m going to get down to some actual writing – there has to be proper writing on the first day of a new year! But first, a round-up of 2013 and some writing goals/wishes for 2014.

I thought I’d do a list of the writing I’ve done this year. It’s difficult to quantify this stuff, really, because a lot of things are in some stage of unfinishedness, but here’s an estimate:

Written:

  • 69 poem drafts (not all of them edited or reworked, and some never will be; many have been submitted, and a few of them have got published too!)
  • 5 flash fiction pieces (4 finished, 1 still in draft phase)
  • 3 stories of <5,000 words (should send a couple of them out; one still needs editing)
  • two novelettes (still need final edits before can be sent out)
  • one failed attempt at reworking my novel Dim Vanities
  • several writing exercises with potential to become more

Published:

Rejected:

  • 32 poems
  • 1 flash fiction piece
  • 1 short story
  • –> As you can see, I didn’t submit too many stories in 2013!

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So, that’s the numbers. Now for some more words:

What pleased me writing-wise:

  • The writers’ group I’m in – Helsinki Writers’ Group, for people in this area who write in English – has been really great. It’s been amazing to actually share my stuff live with other writers, and to get to talk about writing with people who get it. It’s brilliant to have a group where constructive criticism actually works. I’ve been able to radically improve so many of my pieces from feedback I’ve got from the group. And of course it’s heartening to have people laugh out loud at the funny bits. 🙂 We’ve got a really good, supportive atmosphere, I think. Looking forward to our first meeting of the year this Friday.
  • I wrote a surprising amount considering I was quite stressed out for much of the year and had too much on my plate. Extreme yay!
  • I got some poems published that are very special to me. The fact that ‘Orthography: A Personal History’ is out there makes me especially happy.

What I was disappointed in:

  • As I have mentioned previously, I was disappointed in failing to get a proper edit started for Dim Vanities despite the reasons for my failure being completely understandable.

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Now for the 2014 part of this post: the forward-looking, hopeful part. 😀

What are my writing goals for 2014?
My major non-writing goal this year is to apply for a PhD position in my field of English historical linguistics and manuscript studies. However, my freer schedules this spring will hopefully result in more creative writing time too, despite my intended focus on academia. And even if (when!) busyness ensues, writing will always be high on the priority list. Hence, goals – which I may or may not achieve, but it’s better to have some nonetheless, methinks!

Some goals writing-wise (aim high!):

  • Get a story published! I’d like to get more than just my poetry out there, since, you know, I am not exclusively a poet. Achieving this goal – in addition to luck and writing well – means getting more stories (especially shorter ones) edited, finished and actually submitted.
  • Get more poems published.
  • Work on a poetry collection. This is something I’ve wanted to do for a while now, and I’ve already got a lot of ideas and some preliminary work done.
  • Increase writing output – get back into the groove of writing, preferably every day.
  • Rework Dim Vanities and decide what to do with it (whether to continue editing it smaller-scale, or do a total reboot, or just stick it in the trunk).
  • Improve my plotting skills.
  • Finish more stuff and edit previous work to a submittable point.

I could probably think of tons more goals if I really got to it – there’s always room for improvement and there are plenty of things in my writing that I want to work on. But these are the major goals. I will also work on not stressing out if I don’t manage to fulfil them. With Ye Olde Perfeccionisme, that’s going to be the greatest challenge of all!

Poem for the year’s end

Soon off to celebrate the approaching new year. So here’s my last post of 2013, in the form of a just-written poem. Here’s to a good new writing year in 2014!

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Year’s-end, year’s-beginning

What words
to wrap the year in?
How to sing in
the new? Should I end
and begin with ringing
bells in the cathedral-
vault of my days,
or perform the simplest
of fire-magics: light
a candle-flame?

I’ve cast myself
adrift. The new year
is an ocean, and I
am a skiff—
so perhaps, after all,
I’ll end and begin
the old year and the new
with a charm
against
storm-winds, rough weather.

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